I’m a long time Chris Rogers fan. I met her a few years ago booking signing for Half Price Books books and I’ve enjoyed reading her work, featuring her on my blog, and hanging out in bookstores with her ever since. The following is an interview regarding her latest work, Emissary, which I read and reviewed toward the end of 2014.
1. Emissary is drastically different from your previous work in the Dixie Flannigan series, but I understand you started writing it first. What was it like finally getting such a long term project completed?
The idea came to me just after I published the third Dixie Flannigan book, Chill Factor. I do a lot of driving, and this is often when I get the ideas I turn into stories. On a long trip to Wyoming I was sort of cursing the sun beaming through my windshield no matter how I tried to block it, then reasoning that rain would be even worse, when I flashed on the idea of having no sun at all. What if our sun went supernova? We’d fry, right?
But our scientists would surely see it coming long before the actual event, so what would we do? Build spaceships and try to escape? But to where? And how could we possibly build enough ships for the world’s population?
After pondering that idea for a few miles, I flipped it. What if the supernova occurred to an inhabited planet in another solar system? They’re more advanced that we are, so they build ships and look for a planet that will take them in. One emissary is sent to Earth, where he becomes embroiled in our political and criminal problems. Naturally, I’d want the emissary to connect closely with an interesting individual, and I chose a cop.
I liked it, but when I pitched it to my agent, he said, “Can you do it without the alien?” So I continued writing the next Dixie Flannigan book. But the story stayed with me, and though I wrote others over the years, I kept coming back to this one. So yes, I love this story and it’s wonderful to have it finally launched so readers can enjoy it, too.
2. Emissary is so much bigger than the Dixie stories. Dixie is sort of self contained, the impact is on her own life, the lives of the criminals, and the safety within her community; whereas Emissary involved a full cast of lives, cultures, and worlds. Was this a more difficult writing task? Or was it nice to stretch your wingspan a bit?
Not easy, I’ll admit, but a book I fell in love with as a child was Red Planet by Robert A. Heinlein, which is about a boy who attends school on Mars and takes his pet, Willis the Bouncer. So science fiction has been as dear to me as mysteries. When I envisioned Emissary Ruell, I knew he would be young (as most front-line soldiers are young) and inexperienced (since no Szhen had been in this situation before), and the whole “stranger in a strange land” feeling came to me. When I’m writing, I become the characters in my book, the good ones and the bad, so I envisioned how I would attempt to communicate the plight of my people, and also envisioned the difficulties I would encounter. Ruell would start with the “most powerful person in the free world,” which brings in American President Addison Hale. As with any novel, he can’t succeed on the first try, so he expands his efforts globally, which means the book also expands, because extraterrestrial emigration would be a global concern. Then, to rein in the story, I introduced Ruell to Officer Kirk Longshadow, who has his own problems, and they eventually create the “close community” feeling you mentioned, even as they pursue solving an international crime involving the president.
Tackling a story that exists on a broader canvas than my previous books challenged me on many levels. Considering the result, it was well worth the effort.
3. You did your own cover art, which I love by the way. Was this painting done specifically for Emissary or did it merge as one project later?
I was poised to self-publish Emissary when I met Jeffrey Hastings, who was launching his Houston publishing company, Chart House Press. The book was finished except for the cover. The painting I chose was actually one of my early works, but the sleeping woman with blue skin resonated for me with Ruell’s girlfriend, Jianna, who appears in the book only in Ruell’s memory.
It seemed like a great starting place, yet I really didn’t know how to prevent it appearing as purely science fiction, when it’s more of political thriller with science fiction overtones. Once I decided to link my efforts with Chart House Press, I inherited a team who turned the painting into the final cover art, with an excellent result. Sometimes we get too close to a project, and fresh eyes can save the day.
4. I would love to see Emissary put to film. (Despite what it may seem, I’m a huge science fiction nerd and one of my own long term projects is a time and space opera.) If that were to happen, who would be in your ideal cast? What director would you desire? Do you have a favorite film score composer? Would you want a lot of involvement or a little?
For Longshadow, I’d definitely choose David Giuntoli, who plays Nick Burkhardt on the TV series, Grimm. David doesn’t have the appearance of a “typical cop”, which fits Officer Longshadow, who often wonders why he ever thought he was cop material. David does have the toughness of a copy when he needs it, which Longshadow also has. Ruell would be harder to cast, but Neil Patrick Harris in his younger years as Doogie Howser, MD, would’ve been great. President Addison Hale is the third major character in the nuclear family of Emissary, and my choice would probably be Tea Leoni, who is terrific as Secretary of State on Madam Secretary.
And while I realize this is the expected answer to the choice of a director, it has to be Steven Spielberg. It’s not only that he’s an incredible director who makes excellent blockbuster movies but that his attitude about extraterrestrials is similar to mine. In most science fiction films, the aliens are bad guys who come here and make war, or we make war with them in space. I recently watched Close Encounters of the Third Kind again. No war, and I was as moved by it as when I first saw it in 1977. Yes, I know that dates me, but facts are facts.
As for musical score, I’d have to leave that to the experts, and being intricately involved in the film production would be terrific—but not likely. Hollywood likes to keep writers at a distance.
5. Now that you’ve emerged into the science fiction world, after being a long time mystery genre writer, are you here to stay? (I look forward to reading more projects like this one.)
My early writing attempts were neither mystery nor sf. Back then, I didn’t believe I could plot the exciting and intricate stories I loved to read. So I started with children’s books, mistakenly thinking they’d be easy since I had four children. I was wrong. Then I tried the romance genre because I’d had a few romances in my life, whereas I’d never killed anyone and wasn’t a science nerd. Romance wasn’t easy, either and my stories kept being rejected for having “too much mystery.”
A diehard sf reader might say the same of Emissary, that it has “too much mystery,” but it’s a combination I enjoy, and it works for me. So yes, I plan to continue in this venue. For readers, Emissary opens the door to a world where humans interact with extraterrestrials, the way J.R.R. Tolkien created Middle-earth, Isaac Asimov created a world where robots with positronic brains dwell alongside humans, and J. K. Rowling created Hogwarts. Without giving
away the story, I can say that I planned Emissary as a trilogy, and the ending of this first book is the beginning of an exciting new future for the humans who dwell in that story world.
At present, I’m also working on a paranormal mystery about a 300-year-old pirate who runs his many times-refurbished ship today as a Caribbean cruise ship. Passengers attracted to a Molly Dore cruise always include at least one person with a dark paranormal problem that Captain Cord McKinsey helps resolve, despite the fact that he can’t cure his own curse of immortality. I started this story in 2011 and put it aside to work on Emissary. Now it’s scheduled for release in May 2015.
6. If you could interview any existing science fiction author and pick their brain, who would it be? Did that author and their work influence Emissary in any way?
Sadly, I don’t read current sf, but my favorite sf author of all time is Harlan Ellison. He writes the sort of speculative fiction I enjoy. My first introduction to Ellison’s work was his short story, “A Boy and His Dog,” which first published in 1969 and was adapted into a film in 1975 by L.Q. Jones. I’m a feminist, and the story’s hero, 15-year-old Vic Blood, is a knuckle-dragging brute, but I still enjoyed the story. Many fans will know Ellison for his work on the original Star Trek series, his numerous Hugo- or Nebula Award-winning stories, his often caustic personality, which he demonstrated as Guest of Honor at the first AggieCon in 1969, or from his being the first author to win a copyright dispute against a major television network. In picking Ellison’s brilliant brain, I would come away with scars, but I’d still love to sit down with him for an hour or so.
As to whether Ellison’s work influenced Emissary, how can I judge? I’ve read literally thousands of stories and seen hundreds of movies, and all that material is muddled together somewhere in my consciousness. But no, I didn’t base Emissary on any author’s work. That’s not to say I don’t steal from the best when I fall in love with an idea or a great line. What author doesn’t?
7. What’s the main thought you would want readers to walk away from Emissary thinking?
This is the question I tell my students to consider early on in the process of writing a book, yet it’s a hard one to answer without sounding a bit full of myself. I suppose it’s this: people are complicated and wonderful and shouldn’t be pigeon-holed into any sort of group analysis. Each of us has value and heart but we also have a dark side that rises at times, and no one is without flaws, so stop throwing stones at strangers who are “different” and look for the wonder that each person can bring. On the other hand, remain watchful for the horrors that rise in certain malcontents, because they really are out there and can be devastating.
8. Do you plan to take Emissary to any sci-fi conventions in the future? (Say, Comicpalooza in May?)
I’m signed up for AggieCon 46, which happens March 27-29 2015 in College Station, Tx. Never having attended a science fiction convention, I’m a little scared.
9. What would you say to a graphic novelization of Emissary?
I grew up reading EC Comics, such as Vault of Horror and Tales From the Crypt, which I loved, so for me graphic novels are still comic books. I know there’s a difference. I have a copy of The Illustrated Harlan Ellison, which features several of his stories and was produced by Byron Preiss in 1978. It’s great. Some truly talented illustrators were selected for this graphic compilation, but I believe some of the stories converted well to graphic presentation while others didn’t. In that light, I don’t see Emissary as a graphic novel. But that’s just me.
10. Has the publication of Emissary opened any new doors for you as an author that were previously closed in the mystery genre?
Not yet. I’m not even sure which doors I’d knock on, but I’m open to whatever happens. Meanwhile, writing and painting continue to make me happy, and that’s what really counts.
On the other hand, Emissary is already available in print, e-book, and audio—which took much longer when I was associated with a major publisher. For me, that’s an important door, because it makes this big-format story that’s so dear to me available to more readers.
I’ve had the pleasure of reading Jeff Hodge’s Road Trippin’ over the last few months. I’ve been plucking through, taking my time with this delightful memoir, trying to get to know this comic and his world one day at a time. I’m so excited about this former Houstonian, I was able to talk him into doing an interview with me!
1. Describe your book and its inception. What was your muse so to speak?
My book, “Road Trippin…The Life And Times Of A Comic On The Run,” is pretty much a compilation of short stories of incidents that happened to me back when I was out on the road performing as a young comedian in the early 1990’s. Over the years, I would share these stories with friends and fans and people would suggest that I write a book. I never took it seriously until one day in 2011, a buddy of mine, who is a big Chelsea Handler fan suggested I read her book, “My Horizontal Life”. After reading the book, I said to him, every comic have stories like that. He suggested I write a book and so I did and that is how “Road Trippin…The Life And Times Of A Comic On The Run” came about.
2. Many authors are heavily influenced by their environment when they write. Where is your safe space? Do you have mood music?
I am a night person so most of my writing takes place late at night when everyone is asleep and I am up watching the ID Channel. Usually turn on soft music (I prefer love songs because they help me think better) and just get to pecking away on my laptop.
3. How does writing for the stage differ from writing for a book?
Writing for the stage is different from a book in that when I write for the stage, I get feedback immediately as I perform it. With a book, I have to wait until the book comes out. Some one reads it and then I get their feedback. The long wait time can be tedious and frustrating.
4. What do you find to be the easiest of the writing and editing process? What is the hardest for you? (Both in comedy and for publication.)
To me, the writing process is easiest because I just write the words as they come to me in my head. I hate the editing process because by the time the book is actually published, I have read my book 100 million times from reading and re-reading it making all the edits I need to make! (Hahaha)
Road Trippin’ is an accurate representation of just part of my life when I was on the road touring as a comedian back in the early 1990’s. I will be following up Road Trippin’ with more books on other aspects of my life.
6. Did you learn anything about yourself or the world you live in by writing this book (that isn’t included in the book itself)?
Yes. The thing I learned about myself while writing this book is that I have come a long way since I started doing comedy. Sometimes as comedians, we get so focused on defining success as being on a tv show and selling out auditoriums but we lose focus on the journey that we’re on and miss out on a lot of the little things along the way. Writing this book really took me back to venues and places I had performed in earlier in my career that I forgot about after all these years.
7. How have your friends and family reacted to your story content?
My close buddies took the book in stride because they had heard some of the stories in the book over the years. My other friends and family were shocked. They didn’t know one could do all those things on the road as a comedian if you weren’t a star. My mom is still waiting for her copy! (Hahaha)
8. You’re a very different sort of writer than I usually feature on my blog – most are novelists who are passionate for the written word in general. I know you are passionate about comedy and the stage, but are you a reader? What are your favorite books? Your favorite authors?
Yes, I am a reader, but I don’t get to read as much as I would like to. Too busy performing, producing shows, auditioning, writing, etc. I am what you may call a binge reader, I don’t sit down and read all the time, but when I do, I might read 2 or 3 books in one sitting. My favorite kind of books to read are autobiographies, biographies or military or spy thrillers by authors like Tom Clancy.
9. What have you been up to professionally and personally since the publication of this book? What are your future plans?
Since Road Trippin… has been released, I have been actively promoting my book by making appearances at book club meetings, doing interviews and doing shows in the LA area. My future plans include writing a couple follow up books to Road Trippin… that go more in details about my life living in Texas & California.
10. If there is ONE thing you’d want fans to know about you, what would it be?
One thing I want my fans to know about me is that I’m a hard-worker, funny and love to create and entertain.