Title: Nymphos of Rocky Flats
Author: Mario Acevdeo
Genre: Urban Fantasy/ Mystery
Meet Felix Gomez, Iraqi-vet Vampire P.I. who has been called to Denver to investigate an outbreak of Nymphomania. It sounds silly because it is. But it’s equally adventurous and well written. It’s a slightly older title, but the series is still fresh with a current addition that came out in April (Rescue from Planet Pleasure).
At Dragon Con people would walk up to the WordFire Press booth and ask, “Do they come with pictures?” To which Acevedo would, without skipping a beat, reply, “No, only scratch and sniff.”
I laughed every time. It just didn’t stop being funny to me.
I think that’s how Felix Gomez will be as I continue to read the series. I’ve never been so amused as while reading Nymphos of Rocky Flats. It has all the excitement of the X-Files with the plot development silliness of Eureka. Just as I had settled into the pace of the book and thought, “Ok, I’m ready for all this to wrap itself up,” he’d toss something else at me and I’d giggle, “Maybe not…”
I enjoyed having a vampire story-line with a more realistic life story being dropped into an absurd universe (Iraqi War Vet meets Vampirism, Werevolvishness, and Aliens) – as opposed to the typical unrealistic life stories being dropped into a more familiar world (Two-hundred year old man falls in love with high school teen in the mundane school cafeteria; I’ll take aliens over high school again).
What I didn’t expect were the author’s deep thoughts on life to make subtle waves in some of his writing. Hints at politics and undertones on what might be Acevedo’s worldview were made but never formulated completely. Having met the man, I know he is intelligent, well-read, and has a lot of wisdom regarding the world. As much as I enjoy his humorous banter, in both real life and his books, I’m interested to hear or read what his deep thoughts on life are.
Aside from deep thoughts, this book is all guy all the time but one girls can enjoy too. It sells in mass market paperback form at the bookstore to middle-aged men like hotcakes all the time, but I plan to start pushing it toward more ladies. The trade paperbacks have a longer shelf life, but honestly, I think it’s just because of where they are located. I’m already mentally planning a place to feature them for Halloween as I type.
A previous reviewer referred to the Felix Gomez series as Dude-lit. “When Girls Go Wild… Call in the Undead” the tagline of the book says. If this doesn’t place it in that fabulous sub-genre of Dude-lit, I don’t know what would. The fact that the book is the first vampire novel ever to be declassified by the U.S. government is another tell-tale sign.
Ironically, scantily clad women in hooker boots is not sub-genre specific, merely a hint that it’s urban fiction as it’s something that women expect to see on their chick-lit as well. It is a consumer behavior impulse I will never quite understand – like how magazines for men and women alike feature half naked women on the fronts… And despite the book being classic dude-lit, I’m a chick and I loved it. Then again, as a character in Rocky Flats points out: “Earth women are surprisingly complicated…”
Side Note on Content & Ratings: I was pleasantly pleased that with all the hinting and perverted jokes, the book isn’t actually raunchy. The movie version would probably still be rated R for nudity, but there’s a reason the books are not classified as erotica, and for that I was grateful. If it had been, I’m not sure I could look the author in the eye again – and I really like him, he’s fun. There’s more porn in the Outlander series than in Rocky Flats.
I’m a long time Chris Rogers fan. I met her a few years ago booking signing for Half Price Books books and I’ve enjoyed reading her work, featuring her on my blog, and hanging out in bookstores with her ever since. The following is an interview regarding her latest work, Emissary, which I read and reviewed toward the end of 2014.
1. Emissary is drastically different from your previous work in the Dixie Flannigan series, but I understand you started writing it first. What was it like finally getting such a long term project completed?
The idea came to me just after I published the third Dixie Flannigan book, Chill Factor. I do a lot of driving, and this is often when I get the ideas I turn into stories. On a long trip to Wyoming I was sort of cursing the sun beaming through my windshield no matter how I tried to block it, then reasoning that rain would be even worse, when I flashed on the idea of having no sun at all. What if our sun went supernova? We’d fry, right?
But our scientists would surely see it coming long before the actual event, so what would we do? Build spaceships and try to escape? But to where? And how could we possibly build enough ships for the world’s population?
After pondering that idea for a few miles, I flipped it. What if the supernova occurred to an inhabited planet in another solar system? They’re more advanced that we are, so they build ships and look for a planet that will take them in. One emissary is sent to Earth, where he becomes embroiled in our political and criminal problems. Naturally, I’d want the emissary to connect closely with an interesting individual, and I chose a cop.
I liked it, but when I pitched it to my agent, he said, “Can you do it without the alien?” So I continued writing the next Dixie Flannigan book. But the story stayed with me, and though I wrote others over the years, I kept coming back to this one. So yes, I love this story and it’s wonderful to have it finally launched so readers can enjoy it, too.
2. Emissary is so much bigger than the Dixie stories. Dixie is sort of self contained, the impact is on her own life, the lives of the criminals, and the safety within her community; whereas Emissary involved a full cast of lives, cultures, and worlds. Was this a more difficult writing task? Or was it nice to stretch your wingspan a bit?
Not easy, I’ll admit, but a book I fell in love with as a child was Red Planet by Robert A. Heinlein, which is about a boy who attends school on Mars and takes his pet, Willis the Bouncer. So science fiction has been as dear to me as mysteries. When I envisioned Emissary Ruell, I knew he would be young (as most front-line soldiers are young) and inexperienced (since no Szhen had been in this situation before), and the whole “stranger in a strange land” feeling came to me. When I’m writing, I become the characters in my book, the good ones and the bad, so I envisioned how I would attempt to communicate the plight of my people, and also envisioned the difficulties I would encounter. Ruell would start with the “most powerful person in the free world,” which brings in American President Addison Hale. As with any novel, he can’t succeed on the first try, so he expands his efforts globally, which means the book also expands, because extraterrestrial emigration would be a global concern. Then, to rein in the story, I introduced Ruell to Officer Kirk Longshadow, who has his own problems, and they eventually create the “close community” feeling you mentioned, even as they pursue solving an international crime involving the president.
Tackling a story that exists on a broader canvas than my previous books challenged me on many levels. Considering the result, it was well worth the effort.
3. You did your own cover art, which I love by the way. Was this painting done specifically for Emissary or did it merge as one project later?
I was poised to self-publish Emissary when I met Jeffrey Hastings, who was launching his Houston publishing company, Chart House Press. The book was finished except for the cover. The painting I chose was actually one of my early works, but the sleeping woman with blue skin resonated for me with Ruell’s girlfriend, Jianna, who appears in the book only in Ruell’s memory.
It seemed like a great starting place, yet I really didn’t know how to prevent it appearing as purely science fiction, when it’s more of political thriller with science fiction overtones. Once I decided to link my efforts with Chart House Press, I inherited a team who turned the painting into the final cover art, with an excellent result. Sometimes we get too close to a project, and fresh eyes can save the day.
4. I would love to see Emissary put to film. (Despite what it may seem, I’m a huge science fiction nerd and one of my own long term projects is a time and space opera.) If that were to happen, who would be in your ideal cast? What director would you desire? Do you have a favorite film score composer? Would you want a lot of involvement or a little?
For Longshadow, I’d definitely choose David Giuntoli, who plays Nick Burkhardt on the TV series, Grimm. David doesn’t have the appearance of a “typical cop”, which fits Officer Longshadow, who often wonders why he ever thought he was cop material. David does have the toughness of a copy when he needs it, which Longshadow also has. Ruell would be harder to cast, but Neil Patrick Harris in his younger years as Doogie Howser, MD, would’ve been great. President Addison Hale is the third major character in the nuclear family of Emissary, and my choice would probably be Tea Leoni, who is terrific as Secretary of State on Madam Secretary.
And while I realize this is the expected answer to the choice of a director, it has to be Steven Spielberg. It’s not only that he’s an incredible director who makes excellent blockbuster movies but that his attitude about extraterrestrials is similar to mine. In most science fiction films, the aliens are bad guys who come here and make war, or we make war with them in space. I recently watched Close Encounters of the Third Kind again. No war, and I was as moved by it as when I first saw it in 1977. Yes, I know that dates me, but facts are facts.
As for musical score, I’d have to leave that to the experts, and being intricately involved in the film production would be terrific—but not likely. Hollywood likes to keep writers at a distance.
5. Now that you’ve emerged into the science fiction world, after being a long time mystery genre writer, are you here to stay? (I look forward to reading more projects like this one.)
My early writing attempts were neither mystery nor sf. Back then, I didn’t believe I could plot the exciting and intricate stories I loved to read. So I started with children’s books, mistakenly thinking they’d be easy since I had four children. I was wrong. Then I tried the romance genre because I’d had a few romances in my life, whereas I’d never killed anyone and wasn’t a science nerd. Romance wasn’t easy, either and my stories kept being rejected for having “too much mystery.”
A diehard sf reader might say the same of Emissary, that it has “too much mystery,” but it’s a combination I enjoy, and it works for me. So yes, I plan to continue in this venue. For readers, Emissary opens the door to a world where humans interact with extraterrestrials, the way J.R.R. Tolkien created Middle-earth, Isaac Asimov created a world where robots with positronic brains dwell alongside humans, and J. K. Rowling created Hogwarts. Without giving
away the story, I can say that I planned Emissary as a trilogy, and the ending of this first book is the beginning of an exciting new future for the humans who dwell in that story world.
At present, I’m also working on a paranormal mystery about a 300-year-old pirate who runs his many times-refurbished ship today as a Caribbean cruise ship. Passengers attracted to a Molly Dore cruise always include at least one person with a dark paranormal problem that Captain Cord McKinsey helps resolve, despite the fact that he can’t cure his own curse of immortality. I started this story in 2011 and put it aside to work on Emissary. Now it’s scheduled for release in May 2015.
6. If you could interview any existing science fiction author and pick their brain, who would it be? Did that author and their work influence Emissary in any way?
Sadly, I don’t read current sf, but my favorite sf author of all time is Harlan Ellison. He writes the sort of speculative fiction I enjoy. My first introduction to Ellison’s work was his short story, “A Boy and His Dog,” which first published in 1969 and was adapted into a film in 1975 by L.Q. Jones. I’m a feminist, and the story’s hero, 15-year-old Vic Blood, is a knuckle-dragging brute, but I still enjoyed the story. Many fans will know Ellison for his work on the original Star Trek series, his numerous Hugo- or Nebula Award-winning stories, his often caustic personality, which he demonstrated as Guest of Honor at the first AggieCon in 1969, or from his being the first author to win a copyright dispute against a major television network. In picking Ellison’s brilliant brain, I would come away with scars, but I’d still love to sit down with him for an hour or so.
As to whether Ellison’s work influenced Emissary, how can I judge? I’ve read literally thousands of stories and seen hundreds of movies, and all that material is muddled together somewhere in my consciousness. But no, I didn’t base Emissary on any author’s work. That’s not to say I don’t steal from the best when I fall in love with an idea or a great line. What author doesn’t?
7. What’s the main thought you would want readers to walk away from Emissary thinking?
This is the question I tell my students to consider early on in the process of writing a book, yet it’s a hard one to answer without sounding a bit full of myself. I suppose it’s this: people are complicated and wonderful and shouldn’t be pigeon-holed into any sort of group analysis. Each of us has value and heart but we also have a dark side that rises at times, and no one is without flaws, so stop throwing stones at strangers who are “different” and look for the wonder that each person can bring. On the other hand, remain watchful for the horrors that rise in certain malcontents, because they really are out there and can be devastating.
8. Do you plan to take Emissary to any sci-fi conventions in the future? (Say, Comicpalooza in May?)
I’m signed up for AggieCon 46, which happens March 27-29 2015 in College Station, Tx. Never having attended a science fiction convention, I’m a little scared.
9. What would you say to a graphic novelization of Emissary?
I grew up reading EC Comics, such as Vault of Horror and Tales From the Crypt, which I loved, so for me graphic novels are still comic books. I know there’s a difference. I have a copy of The Illustrated Harlan Ellison, which features several of his stories and was produced by Byron Preiss in 1978. It’s great. Some truly talented illustrators were selected for this graphic compilation, but I believe some of the stories converted well to graphic presentation while others didn’t. In that light, I don’t see Emissary as a graphic novel. But that’s just me.
10. Has the publication of Emissary opened any new doors for you as an author that were previously closed in the mystery genre?
Not yet. I’m not even sure which doors I’d knock on, but I’m open to whatever happens. Meanwhile, writing and painting continue to make me happy, and that’s what really counts.
On the other hand, Emissary is already available in print, e-book, and audio—which took much longer when I was associated with a major publisher. For me, that’s an important door, because it makes this big-format story that’s so dear to me available to more readers.
Title: The Sparrow
Author: Mary Doria Russell
Publisher: Ballantine Books
Genre: Literature/ Philosophical Fiction
Length: 431 pages
In 1996, 2019 must have seemed so far away. Now, in 2013, while reading Mary Doria Russell’s The Sparrow I am struck with the oddity of dates in science fiction novels and the disadvantage of time. Then again, Russell’s novel isn’t science fiction so much as philosophy and a study of human nature and peoples’ thoughts on God.
It is like 1984 that way, a study of the world as it is and always will be, not just one particular society. And like 1984, The Sparrow is timeless.
More than God and philosophy and all those huge thoughts I’m supposed to have about the book – you know, the ones you discuss in Book Club and during literature courses in college – I was stunned by the humanity of it all.
Quotes about relationships like,
“The antagonism he sensed but could not understand. And finally, ending at the beginning, the almost physical jolt of meeting her. Not just an appreciation of her beauty or a plain glandular reaction but a sense of… knowing her already, somehow.”
Russell’s work is full of those moments. Those gut reactions, nuances, and descriptions of sensations everyone has had at some point in their life – or if they haven’t, they will. Those epic feelings of “knowing,” the ones people adore having in movie-like surrealism, but are completely caught off guard and unprepared when they happen.
Russell has written something uniquely philosophical and thought provoking, but amidst aliens and Christian theology, atheism, Judaism… in space travel and anthropology, I was caught off guard by the sensation of understanding these characters so completely that I felt like they were my own. If not my own, a part of me… or maybe, just me.
I am riveted by the emotional anorexic. I am captivated by the seduction of doing God’s purpose. I am amazed by their choices.
More than that, I wish I could write something like this – something so thoughtful. But I suppose the reality of my life is that I am stubborn and obedient, curious and creative, but not thoughtful. No, I am not that.
I seem to be lacking the thoughtfulness and critical thinking skills, the ability to really pursue enlightenment. Instead, I find myself caught up in the safety and the dogma, and more than anything in the whole book, the innocent friendship between Sofia and DW – that was my favorite part. How simple of me to read something so profound and I just want to bask in a cozy friendship.
and how aliens should stay on the Tardis
Title: A Brief History of Stonehenge: A Complete History and Archeology of the World’s Most Enigmatic Stone Circle
Author: Aubrey Burl
Publisher: Constable & Robinson
Genre: Non-fiction, Archeology
Length: 368 pages
Although I read mostly fiction, nonfiction (history and science mostly) has a special place in my library and heart. Where I devour stories and riveting tales, I pour over facts and dates. I underline and disparage intelligent books with my amateur notes in the margins. My nonfiction books take a beating my fiction titles can’t even dream of… ink splatters from broken fountain pens, pages become stained and wrinkled from spilled coffee and dog-eared corners. There’s sticky residue from too many post-it notes. Where my fiction books radiate and breathe the word “treasure,” my nonfiction books tiredly whimper “tool.”
My collection of “A Brief History of…” books are prime examples,Stonehengeby Aubrey Burl being the most recent victim of my hunger for knowledge.
“I’m reading about the history ofStonehenge.” – Me
“That’s silly, no one knows the history ofStonehenge, it’s a mystery. The aliens did it.” – My sarcastic sister.
Its moments like these when the dichotomy of my reading habits collide the most often. Where science fiction and fantasy novels are, at times, the highlight of my day, I like these kinds of conjectures to stay in novels. The concepts of the pyramids being mystical,Stonehengebeing magical, and the world being over-ridden by alien beings from other planets make great stories – awesome Dr. Who episodes – but really annoying documentaries.
That guy with the hair on Ancient Aliens, you know who I’m talking about, the one that shows up in every show about everything with his orange face and tan lines around the eyeballs… he totally cracks me up! But I think he’s a nut and I’d much rather sit and read an archeologist’s account of their findings than risk that guy interrupting my research, telling me (yet again) that the aliens did it.
I love how Diana Gabaldon uses Stonehenge-like structures as her premise for time travel in the Outlander series. Its brilliant! But don’t try to convince me that little piece of fun is the real deal, the actual way of the world.
Aubrey Burl has delivered exactly what I want out of my nonfiction reading. It’s a complete and thorough report on every piece of archeological evidence, history, and anthropological speculation (minus the aliens) that has been made over the years. It’s got maps, diagrams, measurements, and so on. From the Druids, to 1500-1800 literature, to the most recent of science experiments, Burl gives me enough information to feel knowledgeable enough to either putStonehengeaside and call myself learned or have a solid basis at which to do additional research and know where to look. And its reader friendly, even if my copy has been treated maliciously by ink and coffee.
Buy Stonehenge by Aubrey Burl